For me, “ A Star Is Born” (2018) is a fourth remake with the same toxic dose of melodrama as all the others. Why, Bradley Cooper, why ? Why not write a new story to show off your singing, guitar and directorial talents?
I’m guessing that Lady Gaga and the fountain flow of economic pay-offs have something to do with the answer. My movie ticket-taker told me she saw your film twice and purchased the sound track. Love at first sight, mentorship, obscurity followed by a shared stage, then acclaim for the neophyte while you, the star, falls~really falls. But, alas, there is no discernible font of innovation here.
Oh,well, before the first screen shot is seen, we hear the fans screaming. In this 2018 version, Cooper is Jackson Maine~ the same Jackson as Fredric Marsh, James Mason, and Kris Kristofferson before him. It is a great contrast to Cooper’s climatic scene where he staggers and crawls up to the Emmy mic and wets himself.
Cooper is very easy on the eyes. The steroid shot in the tush being my favorite. His six-pack side shot does not bemoan his character’s beer drinking, either. He is on beautiful display. Cooper seems to do it all in this film, even fall in love spontaneously. His fourth song, “ Maybe It’s Time To Let The Old Times Die” is how I felt about the Arizona return to his Father’s “gravesite”with its “ hot wind and history”. Editing is not deemed important in “ A Star Is Born” (2018).
But then there is Lady Gaga. ( Stefani Germanatta) As Ally Campana, I like how she labels her dad with “celebrity disease”. Her interplay with her wanna be crooner patriarch is perfect. The family dynamics chemistry better than the romantic. The breakfast scenes better than the bathtub ones. When her dad opines, “It’s all my fault.” She easily rolls her eyes with, “ You don’t have that kind of power, Dad.” She is a mixed bag. Her vulnerability is hit and miss. The same with her uneven acting. I hated her anger scenes, and felt she was stronger in the “triage” role of caretaker. Smashing the hallway memento posters was almost silly, as was her punching the picture taker. Is this what being a modern woman means? Please!
She will be up for an Oscar for best song, but it won’t be for Edith Piaf’s “ La Vie En Rose”. “ I’ll Never Love Again” showed her real talent.
Sam Elliott is admirable as Bobby, Jackson’s half brother. He makes the most of his scenes without show-boating his tears. My favorite line may be Cooper’s as he is found sleeping in the grass, “in my mind I made it to the door.”