Not everyone remembers the first film adaptation of Daphne du Maurier’s gothic novel “My Cousin Rachel” (1952), but it was Richard Burton’s first Oscar nomination. His last line, “Rachel, my torment”, made young girls wish they could elicit such power and passion.
Here, Sam Claflin plays a seemingly younger, more naive lover. A couple of scenes are almost smirk producing! Obsessive love merges with mystery and mistaken perception to give one an “Sense Of An Ending” jolt. In fact, these two based-on-book films would be fun to compare.
Du Maurier’s setting is 19th century Cornwall with its rocky cliffs, foamy seascapes, cantering horses and rumbling carriages. Her tenth novel,” My Cousin Rachel, published in the summer of 1951, uses the traditional Irish wolf hounds, the sunshine curse miasma and the stock romance elements to beautiful effect.
Philip Ashley is the 23-year-old narrator, the orphan and nephew of Ambroise Ashley. His beloved uncle writes Philip a letter imploring him to come to his rescue. His young wife,Rachel, is poisoning him, watching him like a hawk; and he fears for his sanity. He has fevers, headaches, and is light-sensitive. Ambroise distrusts his doctor, and piteously entreats Phillip: ” For God’s sake, come quickly!”.
When Phillip arrives at the villa, Dr. Gamboli intones, ” I have been expecting you. He is dead.” Phillip is to inherit the entire estate. Rachel has left for London, but weeks later will return with the storm. The dogs follow her upstairs and her commanding presence takes charge. Phillip attempts to confront her, but his anxious rapping on her door leaves her offering him tea. Her charms beguile even in her black mourning veil. He later tells her: “You are not the woman I hated.” Besotted, he gives her family pearls and increases her allowance. We hear servant whispers and rumors of a duel in her past between husband and lover, unbridled extravagance, and limitless appetite. Rachel Weisz seems born to play her namesake. She captures just the right winsome smiles and stoney eye glints.
The cinematography of Mike Eley is as memorable as any gothic romance filmed. Cliff falls, pearl cascading close-ups, make him a master of premonition. One of the most lovely scenes, features Phillip and Rachel’s romantic romp in a bed of bluebells. She is disinterested, he sated. There are alleyways with woman plucking chickens, candle lighted bedroom scenes, and ominous cliff paths to enjoy.
Director Roger Michell will undoubtably send viewers back to the author of ” The Birds” and may even have viewers purchasing ” Manderley Forever”: A Biography of Daphne Du Maurier by Tatiana De Rosnay translated into English this year. I could see this film again. One just wants more.