“Baby Driver” will not give you pause. Rather this Edgar Wright action film will give you musical beats to drum through every car maneuver known to man, all seen before. Centered on the back story of our driver, who lost both parents in a car crash at the age of six, we wonder why fast cars fascinate. In a flashback, we see Baby strapped in the backseat watching his parents argue before mom rams into the back of a tractor trailer.
Besides serial car chases and robbery heists, we have a love at first sight complication as our young driver falls for last year’s Cinderella, Lily James, now decked out in waitress garb including her embroidered name, Debora. The music continues and there is some cute repartee about nomenclature in song. Babe suffers from residual tinnitus since his early accident, and the perpetual ear bud lyrics give him relief and give our movie the beat it needs.
Ansel Elgort plays our everyboy, who owes a debt to Doc (Kevin Spacey). He stole Doc’s Mercedes! But Spacey is the criminal mastermind who never enters a bank and never uses the same crew of wastrels twice, but Babe is his getaway driver, par excellence. A grizzled Jon Hamm and an equally thuggish Jaimie Foxx seem to enjoy their farcical characters while looking occasionally embarrassed.
Our setting is Atlanta, Georgia. Our title taken from a Simon and Garfunkel song. Our car initially a supped up, lipstick-red Subaru. British director and writer Edgar Wright has Baby recording his team’s conversations and then making music from the detritus. My favorite being “He Is Slow”. The driving for these series of brazen heists proves the reverse.
The dialogue is as bad as one would expect, “You get feelings in this job- you die.” intones Bats. (Jaimie Foxx). Bats shoots a store clerk for a few boxes of gum.” Tequila” plays like a music video amid gun shots. Elgort dances, runs, glides, and jumps through the Peachtree Mall after playing parking garage gladiator with Jon Hamm. Babe ends up on a bridge with Debora saying, “You don’t belong in this world” as he tosses his keys. Baby ends up in prison, but will be paroled in five years. Debora sends him tons of postcards, and we see them heading West on Route 66 with the radio blaring. Like I said above, nothing gave me pause in this movie except the 98% approval rate from “Rotten Tomatoes”.
Thanks, Chris, for your review of Baby Driver, but I beg to differ on your overall assessment. While it was definitely from the car chase genre, which typically relies solely on the action, this one was different in my view as the characters were interesting, especially Baby but not excluding Debora, his band of cohorts, and even his foster father. Baby was as cool a character as youâll see in fiction and his cool was understandable based upon his childhood trauma. The repartee between Baby and Debora in their initial encounter at the diner reminded me of the playful banter between Gene Wilder and Jill Clayburgh upon meeting aboard the Silver Streak in the late 70âs. While Kevin Spaceyâs role certainly didnât take advantages of his talents, I enjoyed the cast and the characters they played. And the soundtrack was incredible! Overall, I thought the movie had a Tarantino-esque aura about it and I smiled from ear-to-ear for the duration.
Thanks, Chris, for sharing your reviews and give Bruce our regards. Keep up the good work. MMM
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Loved that you responded, Mike. You are going on my Facebook page as my favorite date to my senior prom! I admit the violence bothered me in this one. I am not a Tarantino fan because I think he likes the violence too much to be satirical.
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OK, your review has talked me out of seeing this one.
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Richard, read my friend’s comment. I want you to see everything, you know. I am waiting for your review on “Raw”, which I liked.
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Agree with Maher- loved the movie –
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